Dezeen’s top 10 installations of 2018 – Home Design Ideas

Installations were bigger than ever in 2018, from a six-metre-high Trump blimp to an inflatable mirrored sphere at Burning Man festival. For our review of 2018, social media editor Sabina Sohail selects her top 10.


Dezeen's top 10 installations of 2018: Moving Creates Vorticles Create Movement, Australia, by TeamLab

Trump Baby, UK

A six-metre-high blimp picturing Donald Trump as a cartoon baby took flight over London’s Houses of Parliament during the American president’s visit to the UK in July.

The comical project was created as a symbol of the public’s opposition to the visit, and was approved by London mayor Sadiq Khan.

Find out more about Trump Baby ›


Dezeen's top 10 installations of 2018: The London Mastaba, UK, by Christo

The London Mastaba, UK, by Christo

This summer saw Christo install a 20-metre-high floating sculpture on London’s Serpentine Lake, in tribute to the vision he shared with his late wife Jeanne-Claude to make art free

Comprising 7,506 painted barrels, the structure was entirely self funded. It was on show for three months.

Find out more about The London Mastaba ›


Dezeen's top 10 installations of 2018: The Orb, USA, by BIG

The Orb, USA, by BIG

BIG architects Bjarke Ingels and Jakob Lange used a $50,000 (£37,907) crowdfunding campaign on website Indiegogo to help them take their “giant reflective art piece” The Orb to the annual Burning Man festival.

Images later emerged by photographer Alex Medina showing that the structure, although certainly grand in scale, was not as reflective as originally planned, thanks to the volume of dust moving across the desert site.

Find out more about The Orb ›


Dezeen's top 10 installations of 2018: Moving Creates Vorticles Create Movement, Australia, by TeamLab

Moving Creates Vorticles Create Movement, Australia, by TeamLab

Japanese art collective TeamLab made the headlines several time this year, thanks to a series of impressive digital installations. Among the most spectacular was this project that debuted at the National Gallery of Victoria in Melbourne.

Designed to look like a whirlpools, it was created from “immersive and responsive” lights that projected moving lines on the floor. This were reflected infinitely by mirrors on the walls.

Find out more about Teamlab’s installation ›


Dezeen's top 10 installations of 2018: Zero Waste Bistro, USA, by Finnish Cultural Institute

Zero Waste Bistro, USA, by Finnish Cultural Institute

The first zero-waste restaurant in the Nordic region was transported to New York for the WantedDesign exhibition.

Created with recycled food packaging, the temporary dining space composted all of its waste. Its aim was to promote the circular economy to designers, engineers and architects.

Find out more about the Zero Waste Bistro ›


Dezeen's top 10 installations of 2018: The Color Factory, USA

The Color Factory, USA

Instagram sensation The Color Factory spent the first part of 2018 in San Francisco, before moving to New York City.

The interactive installation included a myriad of tonal installations to take photos in, including a giant blue ball pit and a disco room.

Find out more about The Color Factory ›


Dezeen's top 10 installations of 2018: Grasslands Repair, Italy, by Baracco+Wright Architects

Grasslands Repair, Italy, by Baracco+Wright Architects

One of the most photo-friendly installations at this year’s Venice Architecture Biennale was created inside the Australian Pavilion.

More then 10,000 plants, including 65 different grassland species, were used to recreate the indigenous grassland of southeast Victoria in the space. The curators hoped to highlight how this landscape is being gradually lost.

Find out more about Grasslands Repair ›


Dezeen's top 10 installations of 2018: Colour of Time, Japan by Emmanuelle Moureaux

Colour of Time, Japan by Emmanuelle Moureaux

Artist Emmanuelle Moureaux used over 100,000 paper number cut-outs to create this multihued installation, designed to visualise the passing of time.

Shown at the Toyama Prefectural Museum of Art and Design, it formed part of a series of exhibitions exploring the different functions of materials.

Find out more about the Colour of Time ›


Dezeen's top 10 installations of 2018: Deltawerk, Netherlands, by RAAAF and Atelier de Lyon

Deltawerk, Netherlands, by RAAAF and Atelier de Lyon

Billed as the largest monument in the Netherlands, this colossal artwork was created from the disused Delta Flume in Waterloopbos, a basin built in the 1970s to test defences against rising sea levels.

Dutch studios RAAAF and Atelier de Lyon cut the old structure into pieces and created a flood around them.

Find out more about Deltawerk ›


Dezeen's top 10 installations of 2018: Over Flow, Portugal, by Tadashi Kawamata

Over Flow, Portugal, by Tadashi Kawamata

Paris-based artist Tadashi Kawamata wanted to help people understand the impact of pollution on the environment with installation of ocean plastic in Lisbon’s MAAT museum.

The installation comprised both plastic waste and boats, found on Portugal’s coastline by the volunteer clean-up group, Brigada do Mar.

Find out more about Over Flow ›

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Weekly Trend: Unexpectedly expected | Insplosion – Interior Design Ideas

Unexpectedly Expected

Weekly Trend: Unexpectedly expected

Watch out for our weekly trend Unexpectedly Expected! A beautiful trend with a touch of attitude. And nothing says attitude better than a trend full of colour, shapes and patterns.

When speaking of interior design and home decor, there’s no book that lists the rules of how to create a beautiful ambience. Unexpected Expected represents a sort of sum of creativity on everything related to interior design.

Either through an extended colourful palette, either through a variety of patterns, it always makes a statement. Making a statement doesn’t mean going overboard on details or adornings. It’s perfectly possible to make a statement with bold and creative choices, the trick is in adjusting the level of boldness to an ambience.

Color

These ambiences are perfect examples of balance.

The kitchen inspiration has the boldness of different and vibrant colors mixed together, in a simple and white background. These combinations make for a soft looking and comfortable kitchen ambience. Between colourful choices of furniture and decor, the Stanley Suspension by Delightfull fits right in, adding that special unique detail without overwhelming the ambience with bold choices.

The dinning room inspiration has a darker background. The bright and vivacious colours from the beautifully designed lamps and chairs, bring light and vibrancy to the room. The mix of such vibrant colors with such darker shades is unpredictable, however, it works very well for these inspirations.

The several bedroom inspirations by Circu are so very unexpected, in the sense that you can’t know what kind of inspirations you’ll see combined in the design. The first thing about Circu bedroom inspirations is that they truly aim to inspire and create a kind of bedroom fantasy inspirations, extending the imagination in a theme.

The Bun Van Bed by Circu is a beautifully designed piece. The design itself is worthy of Unexpectedly Expected trend, since it’s not a common design for any bed. However, in bedroom inspirations for kids, many brands have started to be more creative and fantastic with the purpose of creating a kid’s own world and favourite things. The bed design is very colourful, mixing the usual colors related to the van inspiration. The inside of the van is made for comfort, privacy and a bit of storade below the bed, basically creating a kid’s

Shimmers of Metallics

Unexpectedly expected, as a trend has a lot of creativity and unlimited possibilities.

The Imperfecto Sofa is a unique piece made by Boca do Lobo, which give the impression of shiny neutrals. The way the irregular flawed surface of manual hammered brass transpires the idea of imperfection. However, that compromises neither its comfort.

More pieces can reflect the beauty of metallics, either lighting either casegoods. The possibilities are immense regarding the use of metallics on interior design and decor.

In any interior design project, the creativity can be shown through several features and there isn’t a specificity for which pieces are better for creative expression. Creativity just happens according to what the designer feels it’s better to fit in an ambience or interior design style.

The beautiful lamps by Delightful, above and below, are a perfect example of how creative shapes can add that unique touch in a design. Be it in pendant or floor lighting designs, the diversity of shapes of these lamps is huge. There are designs mixing straight and curved lines, such as the Cannonball Chandelier and, the Botti lamp collection. Also, lamps with curved design such as the Cosmo Pendant or the Atomic Sputnik Pendant. And then you have a complete different level of shape, with the Graphic Letter Collection, thta follows a the shapes of several letters and numbers in neon colors.

For designs by Boca do Lobo, the creativity is not only on the shapes, or its geometry but the irregularity of the surfaces. The     Stool has a soft curved surface all around, making it very usable as decor, both as a stool or a small support table. The Empire Chairs Collection is amazing, available in several shades (gold, silver and copper plated), with an irregular surface and abstract shapes on its structure.

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Five furry, fuzzy furniture pieces at Design Miami 2018 – Home Design Ideas

After another tumultuous year for the world, comforting cuddly furniture was a standout trend at last week’s Design Miami fair, where several galleries showed snug sheepskin seats and cozy cocoons.


Sofa Pelo sheepskin daybed and table by Guillermo Santomá

Sofa Pelo by Guillermo Santomá
Side Gallery, Barcelona

A giant furry rug is draped over an iron frame supporting cushioned volumes, and accompanied with sheets of glass to produce this combined day bed and coffee table. Designed by Barcelona-based Guillermo Santomá, the white sheepskin carpet reaches over 3.5 metres in length, and would be an ideal centrepiece for a wintery retreat or ski chalet.


Kaws Campana Design Miami

Kaws x Campanas
Friedman Benda, New York City

Brazilian designers Humberto and Fernando Campana teamed up with American artist Kaws to create limited-edition versions of the brothers’ soft-toy chairs. Pink and black cartoon-like plush figurines, typical of Kaws’ work, are clustered together to create bowl-like seats for users to nestle into.


Railings faux-fur chair by ArandaLasch

Railings by ArandaLasch
Gallery All, Beijing and Beverly Hills

Part of a wider series of furniture formed from twisted metal tubes, these chairs by ArandaLasch are softened by faux fur that wraps around their seats and backs. The versions shown by Gallery All feature two-tone grey fibres paired with golden-coloured supports, but designers hinted that they are also working on an entirely fur-covered edition.


James Brown hanging cocoon seat by Porky Hefer

James Brown by Porky Hefer
Southern Guild, Cape Town

Soft fleece lines the inside of this peanut-shaped cocoon by South African designer Porky Hefer, and also covers the dip on top to act as a kind of saddle. Although the rest of its exterior is wrapped in tan leather, the snug interior of the hanging James Brown piece is akin to Hefer’s previous cuddly lounge chairs, based on endangered animal species.


Cocoon hanging sheepskin hanging chair by Campanas

Cocoon by the Campanas
Louis Vuitton Objets Nomades

No strangers to tactile materials, the Camapana brothers also presented a sheepskin-covered version of their 2015 Cocoon swing chair as part of the Objets Nomades collection from Louis Vuitton. The updated design comes in a blue-turquoise colour, and with snug long-hair lambskin cushions “for cosy, yet elegant comfort”.

Design Miami took place 5-9 December 2018 in Miami Beach, Florida.

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The Aram Gallery’s 12 Shelves exhibition explores the function of shelving – Home Design Ideas

The Aram Gallery has selected 12 emerging designers and studios to exhibit their shelves in a new exhibition that explores the typology of a shelf. 

The Aram Gallery 12 Shelves
12 Shelves is on show at The Aram Gallery in London between 29 November 2018 and 19 January 2019

The 12 Shelves exhibition features 12 designs, including a flat-pack shelf made of cardboard and a bookshelf inspired by classical architecture.

The aim of the exhibition is to suggest new directions and possibilities for shelving by displaying products made of different materials, using various techniques and concepts.

“In a time when photos, music and books are all in our phones, what are shelves really for? Is a modern shelf more about display than storage?” asks curator Riya Patel.

The Aram Gallery 12 Shelves
The gallery enlisted 12 designers and studios to showcase their shelving designs

When selecting the designers, Patel wanted to display a wide range of approaches to shelving, and looked for ideas that update established principles of what defines a shelf.

“This exhibition shows a range of thinking applied to the same function. Some of the designers have used experimental materials, or processes, while others have new ideas about the logic and structure of shelving,” explained Patel.

The Aram Gallery 12 Shelves
The shelves were chosen for their use of innovative materials, techniques and concepts

The first design is by London-based Charlie Crowther-Smith. Called Menes Shelving, the colourful fixture features a zig-zag, geometric base with green-coloured shelves and orange detailing.

Also exhibited is Adam Guy Blencowe and Thor ter Kulve‘s Square Peg System that consists of wall panelling that has been perforated with different shaped holes so that users can customise the number of shelves depending on their needs.

Brass rods inserted into the holes act as supports for the timber shelves and also double as bookends if placed strategically above individual fixtures.

The Aram Gallery 12 Shelves
Katrin Greiling’s Bow Shelf is made of two thin arches and a flat, horizontal surface

A series of flat-pack cardboard sheets and PVC rivets make up the Timber shelving unit by Pesi Studio, which bases its design on traditional Korean joinery techniques. The system, which can be configured into 75 different formations, features 15 types of pieces that can be assembled according to the user’s needs.

For its display, Silo Studio chose its Blash shelves, designed for German brand Pulpo earlier this year. Made of two interconnected semi-circles that join at a 90 degree angle, the pieces were created by pouring molten glass over a table and folded over the table’s edge.

The Aram Gallery 12 Shelves
Adam Guy Blencowe and Thor ter Kulve’s Square Peg System is designed so that users can customise the number of shelves depending on their needs

“The rapid cooling of the glass leaves a textured and rippled appearance accentuating a sense of movement,” said The Aram Gallery.

Berlin-based designer Katrin Greiling‘s Bow Shelf for Stockholm brand Swedish Ninja features a wall-mounted shelf made of two thin arches and a flat, horizontal surface.

The Aram Gallery 12 Shelves
Martijn Rigters’ used the technique of hot-wire cutting to create a series of offcut forms for his Cutting Edge shelving system

Elsewhere, local designer Martijn Rigters‘ Cutting Edge shelving system uses the technique of hot-wire cutting to create a series of off-cut forms, which have been joined together to form a vertical structure.

Rotterdam-based studio Odd Matter‘s Mass Shelf features an assortment of handmade rock-like, textured shelves with a cork terrazzo finish.

The Aram Gallery 12 Shelves
The Mass Shelf by Odd Matter features a hodgepodge of handmade, rock-like shelves with a cork terrazzo finish

Matteo Pacella and Philippine Hamen’s Palazzo and Aqueduct bookshelves are inspired by archetypal forms of classical architecture. The piece they are showing is made of a series of round arches, intended to resemble the Roman aqueduct, and is coated in a vivid blue resin.

Another shelf is by Swiss designer Dimitri Bähler, whose simple T-shelf features a seven millimetre ceramic surface, coated in an oil slick colour.

Silo Studio made this blush-coloured shelf pouring molten glass over a table and folded over the table’s edge

Also in the exhibition is a standalone cabinet by Bram Kerkhofs, a modular shelving unit by Mentsen, and a display cabinet inspired by optical illusions by Sammi Cherryman.

12 Shelves is on show at The Aram Gallery in London between 29 November 2018 and 19 January 2019.

Previous exhibitions at the gallery include series of furniture inspired by Uruguayan architect Julio Vilamajó and a chromatic exhibition made of responsive paper shredders and fans.

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Outsourcing to Meet Your Business Talent Requirements – Interior Home Design

If you’re unfamiliar with the term “outsourcing” when it comes to the search for new talent for your business, you’ll miss out on some great recruitment opportunities. The ability to outsource gives DigthisDesign.net the freedom to build a team with the best talent available. The success of this website is a great model of how the employment landscape changes over time as the number of businesses grow who are outsourcing their work or their talent.

Therefore, it is the wise business owner who adjusts their strategies in order to keep up with this new era. You will find that today’s recruiters have a large amount of information at their disposal which they use to find the perfect candidate. With their help, companies are able to find the ideal candidates for open positions because recruiters closely analyze trends within different industries.

How GoBuyside Outsourcing Helps with Hiring Decisions

Outsourcing Talent Green White Arrows

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Recruiting Talent

As an example, analysts predict that the financial and business service industries may be short over 8 million workers over the next decade. A talent gap such as this will significantly damage the growth of this industry unless a new method of recruitment initiates better results.

However, thanks to recruitment firms like GoBuyside, companies are more confident about the recruiting process. Interestingly, research shows that smaller firms with specific recruiting strategies currently have more success than larger firms.

Social Media Outsourcing

Social media helps people network with others around the world. However, many people express frustration at the difficulty of professional digital networking. Many entrepreneurs are moving away from social media because they believe that some platforms are over saturated. Others are concerned about their privacy with the use of social media platforms.

Compensation Is Key

Data shows that salaries and bonus payments have increased over the last few years. However, while the compensation increases for some, close to half of the professionals employed in the industry still believe the compensation is too low and want to raise it. Never-the-less, with these large amounts of money at stake, the right talent has become even more important. So, while many companies may see their recruiting fees increase, it’s worth it to find the right candidate for the position.

Outsourcing Build Your Team

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Characteristics Of Today’s Workforce

   Working Part-time

Millions of people hold part-time jobs. With this type of schedule, it allows them to fulfill other responsibilities such as the care of their children or loved ones. GoBuyside implements tracking systems, online job boards, and AI to help companies recruit the right people to make part-time hires. Project-based roles give applicants the ability to look at positions that are a direct fit with their talents and abilities.

   Flexible Locations

More people look for jobs that allow them to work from home. To keep up with this trend, some companies search for talent abroad. To meet this demand, recruitment firms implement technology that helps them locate applicants all over the world. This technology helps employers get a complete look at applicants before they make a decision.

Outsourcing Work from Home

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   Diversity

Diversity has become an important metric in determining the success of a company’s workforce. Companies grow when their employees have different skills and ideas. The varied thought processes among employees can lead to more creativity and innovation. GoBuyside is committed to helping companies develop a diverse workforce.

   Regulations

The financial services industry has strict regulation and licensing requirements of which recruiting firms must also adhere to find the right candidates. This tough regulatory environment helps companies ensure that they hire the best candidates.

This is the age of information and the business recruitment process is one of the best benefits of the era. As people around the world continue to outsource to recruit new talent, I invite you to imagine how this might positively impact your business team.

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Olafur Eliasson installs blocks of glacial ice across London in Ice Watch – Home Design Ideas

Danish-Icelandic artist Olafur Eliasson has extracted 30 blocks of glacial ice from the waters surrounding Greenland and placed them in public spaces across London, where they will be left to melt.

Called Ice Watch, the temporary installation is meant to serve as a visual reminder of the impact of climate change on the environment.

The hunks of ice are scattered across two locations. There are 24 in a circular grove outside Tate Modern and six additional blocks outside the Bloomberg headquarters in the City of London.

Ice Watch installation by Olafur Eliasson in London

Eliasson hopes that the project will “give feelings to things that are otherwise unemotional” and encourage the “big players, the state, but also the private sector and large companies” to act.

“It is so abstract, it’s so far away Greenland, it’s literally out of our body and it’s in our brain and I wanted simply to change that narrative of the climate from our brain and emotionalise it into our bodies,” the artist told Dezeen.

Ice Watch installation by Olafur Eliasson in London

Eliasson worked with geologist Minik Rosing to transport over 100 tonnes of free-floating, glacial ice from the waters of the Nuup Kangerlua fjord in Greenland. The ice had separated from its sheets and was discovered melting into the ocean.

The installation will be on show from 11 December until the ice melts, which will depend on weather conditions. Members of the public can interact with the blocks and watch as the ice thaws in front of them.

Ice Watch installation by Olafur Eliasson in London

“The ice is amazingly beautiful – you can smell it, you can kiss it, and essentially put your hands on it and touch Greenland,” said Eliasson.

“It is a lot more physical; it suddenly gives a stronger sense of what it is they’re talking about when they say the Greenland ice caps are melting,” he explained.

Olafur Eliasson installs giant blocks of ice across London

The exhibit coincides with the meeting of world leaders at the COP24 climate change conference in Katowice, Poland. It aims to inspire “really urgent” public action against climate change.

“The cultural sector has a very strong relationship with the general civic society and I think the cultural sector has the mandate to express itself and to voice its concern when the so called public sector, the politicians fail to do so,” explained Eliasson.

“We must recognise that together we have the power to take individual actions and to push for systematic change. Let’s transform climate knowledge into climate action,” he continued.

The project follows a report published by the Intergovernmental Panel on Climate Change on 8 October, which stated that we have only 12 years to limit the most drastic effects of climate change.

“Since 2015, the melting of ice in Greenland has raised global sea level by 2.5 millimetres. Since the discovery of the greenhouse effect in 1896, global temperatures have increased more than one degree celsius. Earth is changing at an ever-increasing speed,” said Rosing.

“Science and technology have made it possible for us to destabilise Earth’s climate, but now that we understand the mechanisms behind these changes, we have the power to prevent them from growing,” he explained.

Olafur Eliasson installs giant blocks of ice across London

Ice Watch comes 15 years after Eliasson’s previous Tate installation, The Weather Project, which created a glowing sun in the Tate Modern’s Turbine Hall. The project remains one of the museum’s most popular installations of all time.

Eliasson hopes this latest project – which follows a similar installation by the Place de Panthéon in Paris in 2015 – can have a similar impact.

“I’m not naive, I understand that this one project probably will not suddenly tilt something major around, but I do honestly believe that I am part of a movement,” he said.

“I think it matters for people to actually put their ear to the ice and suddenly realise that is has a very subtle cracking, hopping, crisp noise because the melting releases pressure bubbles that have been stuck in the ice for 10,000 years,” he said.

“Ten thousand years ago there was 30 per cent less carbon dioxide in the atmosphere, so the smell of the ice blocks should be the smell of the air from 10,000 years ago.”

Olafur Eliasson installs giant blocks of ice across London

A major exhibition of Eliasson’s artwork will follow at Tate Modern in July 2019.

His other recent projects include a fortress-like office in the Vejle Fjord in Denmark, a set of environmentally minded luggage stickers for suitcase brand Rimowa and a revamp of his popular solar-powered mini lamp, the Little Sun Diamond.

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Pentagram prints stencil-style logo across ICA Boston – Home Design Ideas

A logo resembling “stencil letterforms” is printed on the exterior of the Diller Scofidio + Renfro-designed art gallery on Boston’s waterfront, as part of a major branding overhaul by graphic design studio Pentagram.

Pentagram‘s Abbott Miller led the studio’s New York team on the rebranding of the ICA Boston, which architecture firm Diller Scofidio + Renfro completed in the South Boston Seaport District in 2006.

ICA Boston rebrand by Pentagram

Celebrated as one of America’s earliest institutions dedicated to contemporary art, the museum was originally founded in 1939 as a spin-off of New York’s MoMA, and called Boston Museum of Modern Art. It was later renamed the Institute of Modern Art, and then the Institute of Contemporary Art to better reflect its programme, making it the first institution to use “contemporary” in its moniker.

ICA Boston rebrand by Pentagram

Emphasising this history, Miller’s redesigned simplifies the title into the three initials, arranged with a lower-case “c” wedged in between a capitalised “I” and “A”.

“In the new identity, ‘Institute’ and ‘Art’ (as ‘I’ and ‘A’) act as formal bookends around a small ‘c’, highlighting the idea that ‘contemporary’ is at the core of the museum’s mission and always in flux,” said Pentagram in a project statement.

ICA Boston rebrand by Pentagram

The logotype is bold and black, and broken up by slender lines to resemble letters printed with a stencil. This references the 20th-century warehouses in the surrounding area, according to Pentagram.

“Set in stencil letterforms, the identity evokes openness and activity, as well as the industrial heritage of the harbour,” said the graphic design agency, which is one of the world’s most prolific.

ICA Boston rebrand by Pentagram

Large versions of the new logo, which were added in several places across the cantilevered top of the building, are also segmented with vertical lines created by the cladding.

Another supergraphic is imprinted on the translucent ICA Watershed – a small outpost in the East Boston Shipyard across the harbour from the main institution, which opened earlier this year to host programmes during the summer months.

ICA Boston rebrand by Pentagram

Pentagram designed the logo to be scaled to suit various marketing materials, which the studio also overhauled as part of the rebranding. These include animations, the website, signage and environmental graphics.

On these items, the institution’s full name, Institute of Contemporary Art / Boston, is set in a smaller font in various arrangements around the logo.

ICA Boston rebrand by Pentagram

A pairing of blue and black provide the principle palette, taking cues from the waterfront, with undulating line details resembling waves. There are also materials that come in contrasting brighter hues of purple, red and yellow.

Diller Scofidio + Renfro completed ICA Boston 12 years ago, conceiving a design that integrated the contemporary art gallery with spaces for public programmes. A defining feature of the building is the exterior steps that lead onto the Harbourwalk.

ICA Boston rebrand by Pentagram

The building is among a series of projects intended to reinvigorate the area into the “city’s most vibrant district”. Future projects in the new neighbourhood include a European-style piazza and a pedestrian loop.

ICA Boston rebrand by Pentagram

Since completing ICA Boston, Diller Scofidio + Renfro has worked on a number of major cultural institutions in the US, like the Broad Museum in Los Angeles and a major overhaul of the MoMA in New York.

Pentagram, which was established in 1972, has also become the go-to studio for branding arts buildings across the nation. Its recent projects include updating the visual identity for America’s Library of Congress in Washington DC to look like bookends, and rebranding a Nashville art museum with a 1930s-influenced logo.

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4 Inspirations of Gold Wall Decor for Warmth and Sparkle – Interior Home Design

Winter is the perfect time of year for the warm effect of gold decor on your walls. Do you know that some people believe that gold has a relaxing effect on humans? Some also believe that gold has healing qualities. It’s logical because when we relax, our bodies heal faster. Never-the-less, there is nothing that will warm your winter decor better than a sparkling touch of gold to your walls.

Wall Decor in Your Home • Sparkle with the Spirit of Gold

Round Statement Mirror

Do you want to make a striking statement for your walls? The elegance of this modern Italian gold leaf round mirror does just that and does so in exceptional style. Place this over a buffet, at the end of a hallway or over your sofa to add this golden beauty to your home decor.

Gold Round Statement Mirror

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Wallpaper that Pops

The illusion of 3D makes this wallpaper unique and exciting. What a winter wonderland you walk into with golden 3D snowflakes across your entire living room wall! The nice thing about modern wallpaper is it’s easier to remove than its predecessors so you can switch things up when Spring rolls around.

Gold 3D Snowflake Wallpaper

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Golden Glitter Lips

I’m absolutely in love with this modern setting. The textures of the concrete wall and the patterned canvas are a perfect backdrop for the golden glitter lips. The simplicity of the chair with its light wood and taupe fabric enhance the beauty of this decor in which all the elements work together for a wow statement.

Gold Lips Statement Grey Wall

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Holiday Cheer Decal

If you’re into simplicity, you’ll love this peel off Christmas decor. This is great for last-minute party decorations or as a modern minimal design for the holidays. I recommend that you continue to search online for other holiday peel offs that make your life easier. This is easy to implement and a cheerful message for all who visit you over the holidays!

Gold Merry Christmas Peel Off Wall Decal

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I hope you’ve found these examples of golden wall decor to be something that might sparkle your walls during the long winter months or any time of year. May the warmth of gold enliven your walls for all the seasons of your life as you entertain your family, friends, and guests.

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Sabine Marcelis installs 10 Fendi fountains at Design Miami – Home Design Ideas

Dutch designer Sabine Marcelis has created 10 resin fountains to celebrate fashion brand Fendi‘s decade of participation at Design Miami.

The Italian house marked its 10th anniversary at last week’s fair with The Shapes of Water, an installation that included Marcelis‘ fountain designs that all relate to the company in some way.

Fendi x Sabine Marcelis

“Using water as a design tool, the designer magnifies its delicate beauty by realising 10 fountains inspired by 10 of the most iconic symbols of the historical Roman house,” said a description from Marcelis.

Fendi’s Design Miami booth comprised an entirely white room with an illuminated back wall, in which the water features were placed on travertine plinths at different heights.

Fendi x Sabine Marcelis

Some of these bases for the warm-hued, cast-resin sculptures hid mechanisms that pumped water up through.

Examples included the Palazzo della Civiltà Italiana fountain, based on Fendi’s headquarters in Rome. The arched colonnades of the 1943 Mussolini-commissioned building, which the brand moved in to in 2015, were replicated across the sides of the resin design.

Fendi x Sabine Marcelis

“Marcelis has realised a similar structure adding an evanescent aspect, descending from the grandeur of the original construction,” said the project description.

Fendi‘s “double F” logo – created by Karl Lagerfeld in 1965 during his tenure at the company – was punched into a horizontal slab of yellow resin, with water resting in the carved void.

Fendi x Sabine Marcelis

The same mark appeared in the centre of a cube-shaped block, where the two internal, vertical letters were filled with bubbling liquid.

A tall design carried a gradient that blended from yellow to red, mimicking the sunsets in the Italian capital, while water cascaded down its slightly slanted front.

Fendi x Sabine Marcelis

Fur and leather patterns, for which the brand is perhaps best known, were recreated as textured motifs across fountains named Labirinto, Astuccio and Tegole.

Others, including Selleria and Intarsi, were based on the hand-craft and manufacturing processes used to make Fendi’s garments and accessories.

Fendi x Sabine Marcelis

In celebration of another 10-year anniversary, Marcelis also created a cast-resin version of the brand’s Peekaboo bag, which was displayed on a bed of water at the entrance to the Design Miami booth. The fair took place 5-9 December 2018 in Miami Beach.

“It is through clean and soft lines and the use of ethereal materials such as polished resin and water in contrast with the historical travertine stone, and warm colours reminiscent of the Roman skies, that the fountains of Sabine Marcelis represent the perfect fusion between the historical, creative and aesthetic legacy of Fendi and its courage to provoke,” the brand’s statement said.

Fendi x Sabine Marcelis

Fendi was founded by Adele and Edoardo Fendi in 1925, and the house has since grown to become one of the world’s most famous luxury labels. Recently, the brand’s ties to fountains include its efforts towards preserving Rome’s iconic Fontana di Trevi and others across the city.

Marcelis has previously used resin in a project for another fashion brand. Earlier this year, she cast the material to recreate Burberry’s signature tartan pattern for a set of displays at Opening Ceremony stores in New York and Los Angeles.

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Bauhaus educator László Moholy-Nagy was “not given his due” – Home Design Ideas

Hungarian-born Bauhaus educator László Moholy-Nagy is set to feature in a new movie, highlighting the role he played in bringing the school’s ideology to America. For our Bauhaus 100 series, the film’s producer Alysa Nahmias speaks to Dezeen.

Moholy-Nagy is often overshadowed by Bauhaus stars like Walter Gropius and Ludwig Mies van der Rohe, yet he played a critical role in continuing the school’s teachings after it was shut down in 1933. The New Bauhaus aims to draw attention to his legacy.

“Moholy is not within the Bauhaus ‘all-stars’, but is instrumental in so many aspects of the Bauhaus. But somehow I think not given his due, and I hope that the film can do a major part,” Nahmias told Dezeen.

The New Bauhaus
László Moholy-Nagy is the focus of an upcoming documentary. Photo is by László Moholy-Nagy, courtesy of Moholy Nagy Foundation

Two years in production and set to release in 2019, the documentary is produced by former architect Nahmias and cinematographer Petter Ringbom, in collaboration with Erin Wright and Marquise Stillwell.

It focuses on Moholy-Nagy’s time in Chicago, where he established the New Bauhaus design school, and will explore his personal history and formative ideas.

“We should look at Moholy in the same way as Gropius or Mies”

“One of Moholy’s ideas is that the person is above the product, that as we are creating artwork, design and products, we are also creating ourselves, both on the individual level and as a collective society,” said Nahmias. “This is one of the ideas that I want to explore in this film, that makes it go way beyond being about design or art.”

Following retrospectives of Moholy-Nagy’s work at major museums like the Guggenheim in 2016, and the Art Institute of Chicago and the LACMA in 2017, the film offers a closer look and emotional journey through his life, exploring his work as an artist, designer, visionary, and teacher.

“We saw the exhibitions and thought his work was incredible. We thought, why haven’t we learned more about him,” she said.

“You get a sense that there is more there, and more people should look at him in the same way they look at Gropius or Mies, or other great 20th century artists.”

Moholy-Nagy taught at the Bauhaus from 1923 to 1928

Born László Weisz to a Jewish family in rural Hungary, the artist changed his surname to Moholy-Nagy, switching from his German-Jewish surname to the Magyar surname of his mother’s lawyer friend Nagy, who supported the family when László’s father left. He then added Moholy after the town of Mohol, in present-day in Serbia, where he spent his childhood.

He was an educator at the Bauhaus from 1923 until 1928, becoming head of the metal workshop. This programme marked the school’s move towards its original focus of being a design and industrial institute. Following the Bauhaus, Moholy-Nagy established his own design studio in Berlin before fleeing the Nazi regime in 1935.

After briefly living in London, in 1937 he was invited by the Association of Arts and Industries to become the director of the New Bauhaus school in Chicago.

The New Bauhaus
A lowercase b defines the New Bauhaus scrapbook, designed by László Moholy-Nagy. Photo is by Petter Ringbom, courtesy of Opendox

“The Association of Arts and Industries was a bunch of wealthy industrialists based in Chicago, and wanted to start a school along Bauhaus lines – that was actually on the telegram,” Nahmias said.

“They knew about Gropius, because he was already at Harvard, and he recommended they talk to his friend László.”

Moholy-Nagy opened New Bauhaus school in Chicago

In 1939, Moholy-Nagy opened the New Bauhaus school, but after a year of running, the majority of businessmen at the Association of Arts and Industries pulled their money out, causing the school to close.

“After that first year, I think the association realised that Moholy was doing something that was very much along Bauhaus lines, but wasn’t necessarily productive in their limited definition of what the school would produce in its students,” explained Nahmias.

“Moholy was taking them through a circular that was going to be very productive in terms of industry and design, but in the immediate assignments, it was like they were making photograms and wood sculptures for blind people, and they were doing all of these Bauhaus-like experimentations.”

Moholy faced a choice at that moment, where he could either let that go and look for a job somewhere. But he instead decided to keep going with his dream and vision. Industrialist Walter Pepke, chairman of the Container Corporation of America, collaborated with Moholy-Nagy to underwrite another iteration of the school, which would be called the School of Design.

“It was a very entrepreneurial act for an immigrant refugee”

“Moholy reopened the school with him, rather than it being run by the Association of Arts and Industries, it ended being his own school. It was a very entrepreneurial act for an immigrant refugee, in his second year in America,” explained Nahmias.

“It was a constant struggle for Moholy to keep it open and running. He often didn’t take a salary and often worked other gigs. It was like any other start-up, in a way. He was constantly fundraising with Walter Pepke in Chicago and beyond, to keep the school alive.”

The New Bauhaus
Moholy’s daughter, Hattula Moholy-Nagy, features in the film. Photo is by Petter Ringbom, courtesy of Opendox

This School of Design, formerly the New Bauhaus, became the Institute of Design in 1944 and part of Illinois Institute of Technology in 1949. After many iterations, the New Bauhaus is still in practice today, honouring the curriculum of the original Bauhaus school.

“The New Bauhaus definitely didn’t fail, but rather found a different way of operating,” said Nahmias.

Moholy passed away of leukaemia in 1946, and was succeeded by Russian-born British architect and industrial designer Serge Chermayeff as dean. He is father of prolific graphic designer Ivan Chermayeff of Chermayeff & Geismar & Haviv, who passed in December 2017.

Moholy’s legacy lives on in Chicago to this day, but Nahmias hopes the film will make his work known by a larger audience.

“We often see architecture films that are hagiographies – like a biography of a saint – and it is so worshipping that you are not getting at the heart of what this person went through, and what motivated their work,” Nahmias said. “I think for all of these artists, designers and architect, there are stories.”

Moholy’s daughter offers “unique perspective” in the film

A key feature of the documentary is an interview with Moholy’s daughter, Hattula, from his second wife Sibyl, an architectural and art historian from Germany. Hattula manages the estate of the artist with the Moholy-Nagy Foundation, which she founded in 2003. She is 85 and lives in Ann Arbor, Michigan.

“This was one of the happy discoveries, that not only was she [Hattula] willing to give us access and facilitate the project, but she was willing to be filmed and really be part of it, which I think is a unique perspective on a Bauhaus artist,” said Nahmias.

Advisors on the documentary include MoMA curator Barry Bergdoll, curator Ellen Lupton of Cooper Hewitt Design Museum, curator Elizabeth Siegel at the Art Institute of Chicago, Princeton professor Hal Foster, author Thomas Dyja, and architects Sharon Johnston and Mark Lee.

Dezeen guide to 100 years of Bauhaus
Dezeen’s Bauhaus 100 series explores the enduring influence of the school

The Bauhaus is the most influential art and design school in history. To mark the centenary of the school’s founding, we’ve created a series of articles exploring the school’s key figures and projects.

See the full Bauhaus 100 series ›

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